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Andrea del Castagno St John the Evangelist 1442
Fresco
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Andrea del Castagno Eve c. 1450
Fresco
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Andrea del Castagno Madonna and Child c. 1450
Fresco
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Andrea del Castagno Madonna and Child with Saints c. 1445
Fresco, 290 x 212 cm
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Andrea del Castagno Last Supper and Stories of Christ's Passion 1447
Fresco, 453 x 975 cm
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Andrea del Castagno Stories of Christ's Passion 1447
Fresco, 453 x 975 cm
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Andrea del Castagno Stories of Christ's Passion (synopia) 1447
Synopia
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Andrea del Castagno Last Supper (detail) 1447
Synopia
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Andrea del Castagno Last Supper (detail) 1447
Fresco
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Andrea del Castagno Christ in the Sepulchre with Two Angels 1447
Fresco
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Andrea del Castagno Famous Persons: Pippo Spano c. 1450
Fresco transferred to wood, 250 x 154 cm
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Andrea del Castagno Famous Persons: Niccolo Acciaiuoli c. 1450
Fresco transferred to wood, 250 x 154 cm
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Andrea del Castagno Famous Persons: Farinata degli Uberti c. 1450
Fresco transferred to wood, 250 x 154 cm
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Andrea del Castagno Famous Persons: The Cumean Sibyl c. 1450
Fresco transferred to wood, 250 x 154 cm
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Andrea del Castagno Famous Persons: Queen Tomyris c. 1450
Fresco transferred to wood, 245 x 1554 cm
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Andrea del Castagno Famous Persons: Dante Allighieri c. 1450
Fresco, transferred to wood, 250 x 154 cm
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Andrea del Castagno Assumption of the Virgin 1529
Panel, 239 x 209 cm
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Andrea del Castagno Farinata degli Uberti mk86
c.1450
Fresco
245x165cm
Florence,Galleria degli Uffizi
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Andrea del Castagno The Resurrecion mk29
Tempera on poplar panel
28.5x33.7cm
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Andrea del Castagno The Evanglists luke and john mk157
1442
Fresco
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Andrea del Castagno
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Italian
c1421-1457
Andrea del Castagno Location
Italian
c1421-1457
Andrea del Castagno Location
Italian painter. He was the most influential 15th-century Florentine master, after Masaccio, of the realistic rendering of the figure and the representation of the human body as a three-dimensional solid by means of contours. By translating into the terms of painting the statues of the Florentine sculptors Nanni di Banco and Donatello, Castagno set Florentine painting on a course dominated by line (the Florentine tradition of disegno), the effect of relief and the sculptural depiction of the figure that became its distinctive trait throughout the Italian Renaissance, a trend that culminated in the art of Michelangelo.
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